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Music Used: Sanctus / Benedictus by Dee Yan-Key (Album: Mass Without Words), Vigil and Uncharted World’s by Jack Wall, Sam Hulick, Richard Jacques and David Kates (Album: Mass Effect Original Soundtrack) and M4 Pt. The Princes: William Underwood, Harry Norris Join Harry and Will as they laugh, cry and remain somewhat confused as to why the pause menu looks the way it does. Originally an exclusive for the Xbox 360, and later ported to PC’s in 2008 and PlayStation 3 in 2012, Mass Effect has won the hearts of many devoted fans that still remember it fondly all these years later, warts and all. In Episode 3, the Princes will be exploring the uncharted regions of the galaxy with the start of BioWare’s 2007 sci-fi trilogy, Mass Effect.

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Welcome, loyal subjects! We are your hosts, Will and Harry, and we are Not The Princes! A new podcast between two of the most decent self proclaimed critics that were free for a prolonged period of time.

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Sanctus / Benedictus by Dee Yan-Key is under a Attribution - Non Commercial - Share A Like License Dogma, Rip and Tear and BFG Division by Mick Gordon (Album: Doom Original Game Soundtrack), Now Or Never! by Toru Minegishi, Ryu Nagamatsu and Shiho Fujii (Album: Splatune 2: Splatoon 2 Original Soundtrack) and The Last Of Us by Gustavo Santaolalla (Album: The Last Of Us)Īudio Clips: Doom (Developed by id Software, Published by Bethesda Softworks, Written by Adam Gascoine, Directed by Marty Stratton and Hugo Martin) and The Last Of Us (Developed by Naughty Dog, Published by Sony Computer Entertainment, Written by Neil Druckmann, Directed by Bruce Straley and Neil Druckmann) Music Used: Sanctus / Benedictus by Dee Yan-Key (Album: Mass Without Words)ġ. Considered a return to form, Doom has taken back the crown it gave away many years ago, but does it deserve the crown to begin with? Join Will and Harry as they crawl through waves of imps and squishy walls as they tackle Doom! Doom is well regarded as the father of the First Person Shooter genre and in 2016, Doom returned to breathe fresh air into the FPS world. In Episode 6, the Princes pray to whoever will hear them as they tackle the Hellish world of Doom (2016). This podcast is non-profit and does not seek to profit from the work of others, only to discuss said work Timestamps: Introduction (00:00), Origins and Development (08:42), Release (15:16), Story (18:37), Gameplay (40:32), Visuals (01:21:53), Audio/Soundtrack (01:31:58) Conclusion (01:43:53)Īll music and audio belong to their respective artists, performers and Nintendo

Music Used: The Last Of Us, The Hour, The Last Of Us (Never Again) and The Path (A New Beginning) by Gustavo Santaolalla (Album: The Last Of Us)Īudio Clips: The Last Of Us (Developed by Naughty Dog, Published by Sony Computer Entertainment, Written by Neil Druckmann, Directed by Bruce Straley and Neil Druckmann) Writer: Harry Norris and William Underwood The Princes: William Underwood and Harry Norris

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Regarded as one of the greatest games of all time, since its release, The Last Of Us has led a phenomenal life, but is it everything it was cracked up to be? Join Will and Harry as they look for the light and prove that it can’t be all for nothing In Episode 7, the Princes will have to scavenge, crouch and kill to survive the waves of human and infected alike in Naughty Dog’s smash hit The Last Of Us. This episode touches on topics of mental health, trauma, survivor guilt and suicide